DMC 842

8-Channel AES42 Interface for Digital Microphones

  • 8-Channel Digital Microphone Interface with Line Outputs
  • 8-Channel AES to Analog / ADAT Interface
  • AES/EBU Format and Sample Rate Conversion
  • Optional 64-Channel MADI Interface
  • 24 Bit / 192 kHz Digital Audio
  • MIDI Remote Control

The DMC-842 is both an 8-Channels AES42 interface as well as a controller for digital microphones. The unique device allows for connection and control of up to 8 digital microphones, and converting their signals to ADAT, AES/EBU, analog and (optional) MADI. Eight individually switchable hi-end sample rate converters offer a flexible clocking and further usage options, especially as the inputs are compatible to AES3 and AES/EBU too.

When developing the DMC-842, RME worked closely with the microphone manufacturers to secure maximum compatibility and best functionality. As a result the DMC-842 is the most flexible and most compatible AES42 interface available – a true milestone for the broad acceptance of the new digital microphone technology.

The DMC-842 is fully remote controllable, via MIDI, AES and (optional) MADI. The optional I64 MADI Card provides serial pass-through capability from one DMC-842 to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible with the Micstasy and the ADI-8 QS. The signals passed through the DMC-842 are available at the analog outputs, making an expensive splitter box on stage obsolete.

Features

  • Fully compatible to AES42
  • 8 XLR AES42 inputs (AES3 compatible)
  • 8 balanced XLR Line outputs
  • 24 bit sample rate conversion switchable per input
  • Digital Phantom Power switchable per input
  • Supports Mode 1 and Mode 2
  • 63 dB gain range per channel, even in asynchronous Mode 1
  • LED level meter with 13 LEDs per channel
  • M/S de-/encoding
  • 4 x AES/EBU Out via D-sub, 8 channels @ 192 kHz
  • 2 x ADAT Out, 8 channels @ 96 kHz
  • Optional MADI I/O (I64 MADI Card) with serial cascading and digital/analog return path
  • MIDI I/O
  • Fully remote controllable
  • Future-proof by flash updates

In a standard 19″ box with 2 unit height the device offers numerous extraordinary features like Intelligent Clock Control (ICC) , SyncCheck ®, SteadyClock, MultiMode, MIDI over MADI, and remote control via MADI and MIDI.

The technologies known from other RME products like SyncCheck® ensure perfect synchronization and clear detection of errors. Also multiple units can be stacked and operated sample-aligned, using word clock. All settings are stored when the unit is switched off.

The DMC-842 can be fully remote controlled and configured via MIDI, and all status displays can be queried through MIDI. Each DMC-842 can be given a separate ID, allowing separate remote controllability of various devices with only one MIDI channel.

RME’s SteadyClock(TM) guarantees excellent clock quality in any situation. Due to the highly efficient jitter reduction, the DMC-842’s DA-converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time – guaranteeing a pristine sound quality! Additionally Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal.

AES42

The DMC-842 operates as power supply and control device for digital microphones, supporting the AES42 standard. The operating modes defined in AES42, Mode 1 and Mode2, are supported individually per input. Mode 1 defines an asynchronous operation. Working with several Mode 1 microphones requires the use of sample rate converters, which are included in the DMC-842. Mode 2 allows for a synchronized operation. In both modes control data can be sent to and status data can be received from the microphone. These can settings for gain, polar patterns, hi-pass filter and compression. Further functions are already specified in the AES42 standard, but availability depends on the individual microphone. All microphone parameters are directly accessible from the unit’s front panel.

As Digital Phantom Power can be switched on or off on individual channels, the DMC-842 can also handle ‘standard’ AES3 and AES/EBU signals at the same time. Using the built-in sample rate converters, these can even be asynchronous.

In many respects, the DMC-842 is an ideal companion to RME’s Micstasy. Using the same interface connections as found in the Micstasy (ADAT S/MUX and AES/EBU built-in, MADI optional) it ensures problem-free set-up of combined systems for both analog and digital microphones. The DMC-842 even includes analog line level outputs, so a mixed setup with purely analog devices (for example for monitoring purposes) poses no problems.

The included Windows software DMC-Control can use any existing MIDI port within the system to perform remote control and status requests of any number of DMC-842s via a simple mouse click. The latest version of the program can be downloaded for free from the RME website. The program is self-explanatory and very easy to use. It manages up to 8 DMC-842 simultaneously. Names can be assigned to all channels and all devices. DMC-Control not only offers a remote-access to all front panel settings, but also a comfortable configuration of the Setup menu, and direct access to the AES42 features of the connected microphones.

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Analog

DA-conversion
  • Resolution: 24 Bit
  • Signal to Noise ratio (SNR) @ +24 dBu, 44.1 kHz: 116,0 dB RMS unweighted, 119 dBA
  • Signal to Noise ratio (SNR) @ +19 dBu: 116 dB RMS unweighted, 119 dBA
  • Signal to Noise ratio (SNR) @ +13 dBu: 116 dB RMS unweighted, 119 dBA
  • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 22 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 34 kHz
  • Frequency response @ 192 kHz, -1 dB: 5 Hz - 50 kHz
  • THD: < -104 dB, < 0.00063 %
  • THD+N: < -100 dB, < 0.001 %
  • Channel separation: > 110 dB

Digital Input

Word Clock
  • BNC, not terminated (10 kOhm)
  • Switch for internal termination 75 Ohm
  • Automatic Double/Quad Speed detection and internal conversion to Single Speed
  • SteadyClock guarantees super low jitter synchronization even in varispeed operation
  • Not affected by DC-offsets within the network
  • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
  • Overvoltage protection
  • Level range: 1.0 Vpp – 5.6 Vpp
  • Lock Range: 27 kHz – 200 kHz
  • Jitter when synced to input signal: < 1 ns, Jitter suppression: > 30 dB (2.4 kHz)
I64 MADI Card
  • Coaxial via BNC, 75 Ohm, according to AES10-1991
  • High-sensitivity input stage (< 0.2 Vpp)
  • Optical via FDDI duplex SC connector
  • 62.5/125 and 50/125 compatible
  • Accepts 56 channel and 64 channel mode, and 96k frame
  • Single Wire: up to 64 channels 24 bit 48 kHz
  • Double Wire / 96k frame: up to 32 channels 24 bit 96 kHz
  • Quad Wire: up to 16 channels 24 bit 192 kHz
  • Lock range: 28 kHz – 54 kHz
  • Jitter when synced to input signal: < 1 ns, Jitter suppression: > 30 dB (2.4 kHz)
AES1, D-sub
  • 1 x 25-pin D-sub, transformer-balanced, galvanically isolated, according to AES3-1992
  • High-sensitivity input stage (< 0.3 Vpp), SPDIF compatible (IEC 60958)
  • Accepts Consumer and Professional format
  • Lock Range: 27 kHz – 200 kHz
  • Jitter when synced to input signal: < 1 ns, Jitter suppression: > 30 dB (2.4 kHz)
AES42, XLR
  • 8 x XLR, transformer-balanced, galvanically isolated
  • Compatible to AES3 und AES/EBU
  • Technical specifications like AES1, plus
  • Digital Phantom Power (10 V), switchable per input
  • Transmission of Sync and Control Pulses

Digital Output

AES/EBU
  • 4 x, transformer-balanced, galvanically isolated, according to AES3-1992
  • Output voltage 4.5 Vpp
  • Format Professional according to AES3-1992 Amendment 4
  • Single Wire: 4 x 2 channels 24 bit, up to 192 kHz
ADAT
  • 2 x TOSLINK
  • Standard: 8 channels 24 bit, up to 48 kHz
  • S/MUX: 16 channels 24 bit / 48 kHz, equalling 8 channels 24 bit 96 kHz
  • S/MUX4: 16 channels 24 bit / 48 kHz, equalling 4 channels 24 bit 192 kHz
Word Clock
  • BNC
  • Max. output voltage: 5 Vpp
  • Output voltage @ 75 Ohms: 4.0 Vpp
  • Impedance: 10 Ohms
  • Frequency range: 27 kHz – 200 kHz
I64 MADI Card
  • Coaxial via BNC, 75 Ohms, according to AES10-1991
  • Output voltage 600 mVpp
  • Cable length coaxial: up to 100 m
  • Optical via FDDI duplex SC connector
  • 62.5/125 and 50/125 compatible
  • Cable length optical: more than 500 m
  • Generates 56 channel and 64 channel mode, and 96k frame
  • Single Wire: up to 64 channels 24 bit 48 kHz
  • Double Wire / 96k frame: up to 32 channels 24 bit 96 kHz
  • Quad Wire: up to 16 channels 24 bit 192 kHz

Digital

  • Clocks: Internal, AES In, word clock In, Option In
  • Low Jitter Design: < 1 ns in PLL mode, all inputs
  • Internal clock: 800 ps Jitter, Random Spread Spectrum
  • Jitter suppression of external clocks: > 30 dB (2.4 kHz)
  • Effective clock jitter influence on DA-conversion: near zero
  • PLL ensures zero dropout, even at more than 100 ns jitter
  • Supported sample rates: 28 kHz up to 200 kHz

MIDI

  • 16 channels MIDI
  • 5-pin DIN jacks
  • Optocoupled, ground-free input

I64 MADI Card

  • Invisible transmission via User bit of channel 56 (48k frame)

General

  • Power supply: Internal switching PSU, 100 - 240 V AC, 60 Watts
  • Typical power consumption: 24 Watts
  • Maximum power consumption: < 40 Watts
  • Dimensions including rack ears (WxHxD): 483 x 88 x 242 mm (19" x 3.46" x 9.5")
  • Dimensions without rack ears/handles (WxHxD): 436 x 88 x 235 mm (17.2" x 3.46" x 9.3")
  • Weight: 3 kg ( 6.6 lbs)
  • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
  • Relative humidity: < 75%, non condensing

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